This is the first novel of Ted Dekker’s that could be classified as Biblical fiction. It is breathtaking in its portrayal of the times, the brutality of humans and in Maviah, the central character, someone all readers can relate to. And then we meet Yeshua, the Hebrew for Jesus. It’s hard to put into words the experience the reader has seeing Jesus through Maviah’s eyes. Sitting near Him as he shares many of the parables we’ve come to know through the Bible. I didn’t want Him to leave. I expect that was how the disciples felt as they journeyed with Him.
Maviah is a Bedouin slave who at the request of her dethroned father to seek out King Herod and secure his assistance to free her people from the Thamud. This takes her on a wild journey through the desert with her valiant aids Saba and Judah. Their journey will take them past Jerusalem. Judah who knows of Jesus, being a descendant of the kings who visited Jesus at his birth, and is desperate to meet him. Circumstances outside their control unexpectedly lead them to the house of Nicodemus where Jesus is happening to supper.
Maviah is a wonderful character. We see her courage in undertaking the journey and the many fears she will fail. It is in meeting Jesus she is able to begin to realise her destiny as Queen of the desert. The final scenes are simply extraordinary storytelling as Dekker demonstrates the power of faith when the odds appear insurmountable.
There are many other notable well developed characters; Judah and Saba in particular. It was fascinating to see Dekker present his interpretations of such people as Herod, Herodias, Aretas as well as Stephen and some of the disciples.
This is Dekker at his absolute best. In fact, he’s stepped up a level as he combines the truth and power of the gospel with a breathtaking tale of good and evil that makes me want more and more.Read More
Erin Healy’s latest novel, “Motherless”, was released a few weeks ago. Being a keen supporter of Erin and her work I was delighted she was willing to respond to a few questions I posed her.
There is also the opportunity for two readers to win a copy of Motherless. More on that at the end of this post.
The tale of two young adults trying to solve the mystery of their mother’s seventeen-year-old suicide.
A whispering voice at the back of my mind reminds me that I’ve been this way for some time. Dead, that is.
The dead have a very broad view of the living, of actions performed out of sight, of thoughts believed to be private. I would know. Losing both parents is a trial no child should endure, and Marina and Dylan have endured enough. They deserve the one thing I could never give them: a mother’s love.
A mother’s love, and the truth.
My children have believed a lie about me for years and years. After all this time I can still feel their hurt in my heart. But the tether holding me to them is frayed from years of neglect . . . and I have to find a way to make my confession before it snaps.
But when the truth comes out, what other beasts will I unleash?
“Why do we lie to the children?” someone asked me once.
“To protect them,” I answered.
How terrible it is that they need protection from me.
“This is truth: we all tell the stories that we want to believe. We tell them for so long that we forget what we really know. Occasionally we convince others to believe them too.”
Motherless is the story of brother and sister, Marina and Dylan, who are coming to terms with the anticipated death of their father (he’s in an induced coma) having lost their mother many years earlier from an apparent suicide.
Marina, even though only a few years older than 16-year-old Dylan, has taken on many of the responsibilities of being a mother. She is especially protective of him as he suffers from agoraphobia, which can be tremendously debilitating.
Their story is told through the eyes of a first person narrator who has a particular interest in their welfare. This individual takes on a far greater role in their story and especially the key themes as it unfolds.
Healy uses vivid imagery in describing her characters, the Californian coast and the delicacies created by Sara, another key character. At any moment Healy is able to transport the reader into being a cocktail party guest, harvesting grapes in a vineyard or sitting on a surfboard waiting for the next set to roll in.
I particularly appreciated how Healy took me into Dylan’s mind, the young poet who was at his happiest surfing the break outside his home even though stepping out the front door to pop down to the shops crippled him with fear. I know what that feels like.
Lies, deception, grace and forgiveness. Key themes at the heart of most families as they reflect the darkness and light we all must navigate through life.
This is what makes this story so compelling: it could be any of our families that Healy has captured on the page.
Highly recommended.Read More